Ermina Avramidou. Deception

Source Credit:  Content and images from Wall Street International Magazine by Wall Street International.  Read the original article - https://wsimag.com/art/68071-ermina-avramidou-deception

Varvara Roza Galleries and The Blender Gallery
announce a solo exhibition of paintings by Ermina Avramidou, one of the most exciting
women contemporary artists to emerge from Greece. ‘Deception’ runs from 9th to 22nd
December at Gallery 8 in Mayfair.

Avramidou creates glossy paintings using visceral materials such as car paint, acrylic ink,
spray paint and polyvinyl. Her striking paintings often have a sculptural quality with
undulating surfaces. Her work has evolved from the canvases of her earlier career to the
new sculptural pieces, in a visual progression from darkness to light, a metaphor for a
transition from vagueness to clarity. The shiny finish of the sculptural pieces, which are
hand-moulded and painted, gives them an industrial feel, combined with a theatrical impact.

Standout pieces in ‘Deception’ include Avramidou’s 3-dimensional Fluo Capsule
works which are an evolution from the slit canvases of her earlier career. Her
beguiling paintings and 3D works have a duality that marries organic elements
with commentary on our contemporary throwaway culture in the form of the
sculptural pieces influenced by luxury car brands, which follows the artistic legacy
of César’s redundant car compressions.

Art Historian and Curator Evi Baniotopoulou, PhD has written an essay for the
‘Deception’ catalogue and says of Ermina Avramidou:
“Avramidou’s recent body of work is the three-dimensional equivalent of this
elusiveness. Presented in a variety of media the artist’s near-obsession with the
art of deception keeps the viewer occupied and uneasy, in mind, body and soul.
Just as the pieces evolve and transmute over time, so does the viewer’s reaction
to them. The visceral and the cerebral go hand in hand in this gradual, tentative,
sometimes locomotive discovery of a world that is both strictly and subtly personal
and esoteric, and fiercely and boldly public and proclaimed.

The artist is preoccupied with the seen and the unseen, the obvious and the hidden, what is
above and what lies beneath the surface. More than a mere visual play, this constant
tension between the two polarities – or sides of the same coin, reveals a pattern that is, to a
certain degree, a common social experience. Avramidou quite consciously points out our
imagined or lived safe places that in her work may become abstracted as the ‘hidden’: a
cavern, the seabed, the floor of a rainforest.

Her own subconscious and personal experiences come to enhance this imagery, which now
necessarily oscillates between the individual and the collective, emulating life and perhaps
recalling our primeval origins.”

Ermina Avramidou comments: “I have always been fascinated by the way that paint can
seem not simply to depict light but actually create it, so that the painting itself becomes a
light source, seeming to emit its own rays. Light, whether concealed or pouring freely into an
imagined landscape, has always been a vital element of my art. When I look back at my
body of work, I see a line of organic development that is clear only in perhaps, I was
scarcely aware. This is one of the great thrills of art, that the unseen can be called forth and
become part of our conscious existence. My recent work explores this idea, the relation
between what appears on the surface and is seen and known, and what lies beneath and is
unseen – but perhaps intuitively known. In literal terms, the alien to our daily human life and
yet somehow deeply familiar, almost as if at some level we remember our primeval origins.
Each picture is an adventure for me as mysterious landscapes emerge from the play of the
colours on paper. I want this also for my audience, not to dictate to them but for them to
keep searching within the canvas uncovering their own secrets. I would like to think that my
work could function as a kind of conduit to the subconscious and that, in presenting my own
reality, I am simultaneously creating a space in which people can uncover their own.”

Ermina Avramidou was born in Thessaloniki, Greece, where she studied visual arts with
Professor Ksenis Sahinis at the Beaux Arts Institute, and then took a degree in Interior
Design at the College of Applied Arts with a degree in Interior Design. She now splits her
time between London and Thessaloniki. Avramidou’s work has been featured in the
Summer exhibition at the Royal Academy of Arts in London, Agora Gallery in New York and
the Alfar Gallery in Miami, and she has had multiple exhibitions in Greece.

Source Credit:  Content and images from Wall Street International Magazine by Wall Street International.  Read the original article - https://wsimag.com/art/68071-ermina-avramidou-deception