A Bartleby

Source Credit:  Content and images from Wall Street International Magazine by Wall Street International.  Read the original article - https://wsimag.com/art/67093-a-bartleby

Bartleby, Melville’s mild-mannered, pale and emaciated scribe, is that man without
reference, possessions or distinction, who silently, passively and fearlessly resists the
demands of the lawman for whom he works. He is a “pallidly neat, pitiably respectable,
incurably forlorn” figure, but with a “fluty” voice who, through the continuously
pronounced Formula I would prefer not to, triggers a mechanism of enigmatic
suspension in the novel between being and not being, between words and actions,
between the sensible and the intelligible, making the language and the characters
fluctuate in a swirling and silent void: a suspension, conceived as a condition of pure
power, on the limes of the becoming of all possibilities, which recalls that of the skeptical
philosophers.

The works of the five artists chosen for A Bartleby, a group exhibition on show from 25
September at the Alberta Pane Gallery in Venice, embody these suggestions, as they are
essentially liminal in terms of techniques, concepts and forms.

Installation or photography? Canvas or performance? Sculpture or wall-mounted work?
The visitor is perpetually challenged and stimulated to investigate the contingent nature
of what he or she is observing, which also finds its premises precisely in this apparent
un-detectability.

Marie Denis’s vegetal works fix the transitory condition of the natural element:
between past and future, enclosed by glass or boxes, a sensitive and poetic universe is
made everlasting and, at the same time, seems to exist only for the here and now. Placed
on the ground or hung on the wall, her works (sculptures, installations, éstampes on
paper and works on glass) weave a continuous and ever-renewed dialogue with the
space and the viewer.

The role of the viewer is also essential to the works of Igor Eškinja, a Croatian artist
who constructs his artistic vision in the narrow meeting point between materiality and
immateriality, between two-dimensionality and the third dimension, in the tension
between plurality and emptiness, in a challenge to the limits and possibilities of
perception.

Installations made of ephemeral materials are juxtaposed to their representation in
photographic form, in an alienating game of realities, in which emptiness is often a
substantial element.

Silence and stillness characterize the environments painted on canvas by Léonard
Martin: the scenography elements represented, seemingly inert and static actually
embody the possibilities of a past history and, at the same time, those of an experience
that has not yet taken place. Giant mobile sculptures, which like contemporary
marionnettes bring the history and art of the past into the present, often accompany the
artist’s works as installations or videos. Between sculpture and performance, between
stillness and movement, between video and installation, Léonard Martin’s works thus
reveal a timeless narrative that flows in osmosis between mediums and ages.

In addition to their dual nature as a performative and pictorial act, Davide Sgambaro’s
artworks in the exhibition visually echo the words of Melville’s writing in his ironic, yet
desolate, observation of the precarious condition of the contemporary human being. In
his works, the artist uses different media to address society’s fears, inadequacies and
beliefs.

It is precisely the social environment and that of intimacy, the outside and the inside, the
absence, which is actually a strong presence, that are the tracks on which Lucia
Veronesi’s artistic practice moves, in a perpetual state of becoming, in which the
accumulation of techniques and materials conceals, modifies and reveals, as in the case
of the Lonely Heart series on show.

If Bartebly, in his existential condition of absurd im-mobility, ceases even to carry out his
activity as a copyist, failing to transcribe slavishly the words and triggering an infinite
circle of suspension, the artists in the exhibition make this fertile and indeterminate
terrain the source of all determinations, which is up to the visitor to discover, perceive
and define as form and thought.

Source Credit:  Content and images from Wall Street International Magazine by Wall Street International.  Read the original article - https://wsimag.com/art/67093-a-bartleby