10 Sep Sweet icons

Source Credit:  Content and images from Wall Street International Magazine by .  Read the original article - https://www.meer.com/en/82663-sweet-icons

Roberto Bernardi, a world-renowned artist, exhibits his exceptional works at the Sweet icons
three-person show by Punto Sull’Arte. Alongside him, artists Valentina Diena and Claudio
Filippini showcase their refined works with a strong conceptual charge and exceptional technical
execution.

Punto Sull’Arte reopens the exhibition season with a powerful trio show. Three artists, three
different ways of ironizing and sometimes denouncing the superficiality of our way of life, often
focused only on appearance and self-satisfaction. Their works go beyond the canons of
hyperrealism, perfectly capturing everyday life with common objects and depicting famous Superheroes
transformed into ordinary people dealing with everyday life.

Roberto Bernardi relies on the magnificence of color to demonstrate how appearance is essential
in the modern world, a world where we are surrounded by false, polished, and perfect beauty. The
exhibition features oil paintings and sculptures depicting candy jars, lollipops, gum, and the
iconic Oreo cookies. The artist’s intention is to provoke, to stimulate reflection on how something that
appears so perfect on the surface may hide a shadow, a hidden soul. “In my paintings, I capture the
essence of exhibitionism that prevails in this world, the desire to appear aesthetically better than we truly
are. I think, for example, of the profiles that many girls create on social media, especially on Instagram,
where they appear so perfect that they seem unreal. Just like candies, beautiful and shiny, irresistible”, emphasizes the Umbrian artist in the critical text. Bernardi’s great art can be found in famous
American and European collections, including the Eni collection and the prestigious collection of
the Thyssen-Bornemisza Museum in Madrid. In addition, between 2022 and 2023, some of his
sculptures were auctioned by the famous auction houses Sotheby’s and Phillips with excellent
results.

Valentina Diena for Punto Sull’Arte presents the series Icons, symbols of the
contemporary “wrapped” with white adhesive tape and the word “fragile” in fiery red. The
artworks are a clear reference to the great artists of the 21st century, from Jeff Koons to Maurizio
Cattelan, and are entirely created with colored pencils, a tool that Diena has loved since her youth.
Her work is almost a spiritual exercise, a sort of self-control of the mind, which must adapt to the slow
rhythm of pastel drawing. The excellent technique and strong conceptual charge of her works have
earned her a place among the candidates for the X VAF Foundation Award, and currently some of
her paintings are exhibited at the Stadtgalerie in Kiel (DE). Following the German stage, the
artworks will return to Italy to be presented at the prestigious MART Museum of Modern and
Contemporary Art in Trento and Rovereto on the occasion of the award ceremony.

Claudio Filippini, a painter from Brescia, is an important witness and descendant of the Italian
figurative research, with numerous exhibitions in public and private spaces and an important solo
exhibition curated by Maurizio Bernardelli Curuz in 2003. Often compared to artists Ennio Morlotti
and Edward Hopper, Filippini has always painted with oil, which is slower but allows for many more
effects than acrylics, as stated in the critical text of the exhibition. On the occasion of Sweet icons
Filippini wants to inaugurate a new vein of his painting, less canonical and more provocative. For
Punto Sull’Arte, he has created a series of large canvases in which the famous DC
superhero Batman is confronted with the everyday aspects of existence. The artist performs a
sympathetically irreverent act towards those who always take themselves too seriously, demonstrating
that superheroes are much more human than we think.

The artists will be present at the Opening reception that will be held on Saturday, September
21 from 11am to 1pm at the main Gallery in Viale Sant Antonio 59/61, Varese. The Gallery will then
remain regularly open from 2 pm to 5 pm. The exhibition will be open until Saturday, November 2, 2024.

Roberto Bernardi was born in Todi (IT) in 1974. After finishing high school, he moved to Rome where he
began working as a restorer at the church of San Francesco in Ripa, but he soon moved on from painting
restoration to devote himself entirely to the creation of his paintings and moved towards a new form of realism
closely related to hyperrealism. In 2004 he moved to Manhattan, his works were strongly influenced by the
American culture and he began to have relations with the prestigious art world of the Big Apple. From 2004 to 2010
he took part in many artistic projects sponsored by American and European collectors along with other artists of the
hyperrealist movement. In 2010 the Italian multinational oil and gas company, ENI, added Bernardi to the group of
young talents from all over the world to uniquely interpret every moment of Eni’s communication and commissioned
Bernardi a work that they added to their prestigious art collection. Since 2012 Bernardi has taken part in an
international museum tour that began at the Tübingen Museum in Germany and then continued in 13 other
museums around the world. This exhibition tour included the prestigious Thyssen-Bornemisza Museum and the
Museum of Bellas Artes in Bilbao (Spain), the Kunsthal Museum in Rotterdam (Holland), the New Orleans Museum
of Art and the Oklahoma City Museum of Art (USA). In 2014 he was invited to the “Contemporary Realism Biennal”
at the Fort Wayne Museum of Art (USA). He has exhibited in solo and group shows worldwide. Among the latest,
the following are worth mentioning: in 2022 the Thyssen-Bornemisza Museum in Madrid acquired a painting of
Bernardi to add to its prestigious collection. He has exhibited in solo and group exhibitions in private galleries and
public museums around the world. Among the latest, there are Photorealism. 50 years of hyperrealistic painting at
the Art Museum of Rotterdam (2017), Nopixel, arte al limite at the Pinacoteca G. Bellini in Sarnico (2019), High
fidelity, Anthony Brunelli and the digital age photorealist at the Arnot Art Museum in Elmira, New York (2020),
Hyperrealism in the Blanca and Borja Thyssen-Bornemisza collection at the Thyssen-Bornemisza Museum in
Madrid (2022). In addition, between 2022 and 2023, some of his sculptures were auctioned by the famous auction
houses Sotheby’s and Phillips with excellent results. At Punto Sull’Arte he participated in the Ultrareale
exhibition (2022) and in the group exhibition <20 15×15/20×20 (2021, 2022, and 2024). He lives and works in Todi (IT).

Valentina Diena was born in Milan in 1996. Her interest for figurative arts leads her to the painting course at
Brera Academy of Fine Arts, where she has a bachelor’s degree in 2019 and a Master of Fine Arts in 2022 with full
marks (under the guidance of prof Omar Galliani). Always fascinated by the movement and technique of
hyperrealism, from 2020 she works on hyperrealistic drawings colored pencils on paper, briefly combining her
personal artistic production with artistic collaborations as designer and studio assistant. In the last few years she has
collaborated with many different Italian artists and has taken part in many solo and group shows, among which the
group exhibition Self portrait curated by Omar Galliani at Museo di San Pietro all’Orto in Grosseto (2021), the
bipersonal Veleni sospesi curated by Vittorio Raschetti at Galleria Lo Spazio Bianco in Milan (2022), the two group
exhibitions <20 15×15/20×20 curated by Sofia Macchi at Galleria Punto Sull’Arte in Varese (2023 / 2024). In 2024
she is selected as finalist artist at the 10 th edition of the prestigious VAF Foundation Award. Her artworks are part of
Italian private collections. She lives and works in Milan.

Claudio Filippini was born in Castenedolo (IT) in 1953. He attended some drawing courses at the Bresciani
Artists Association. His artistic activity began in 1976 when he held his first solo exhibition, followed by many other
exhibitions. Among these, we remember, in 2003, the solo exhibition curated by Maurizio Bernardelli Curuz, artistic
director of Brescia Museums, and accompanied by an important publication. Throughout his career, he has also
participated in many art fairs. Claudio Filippini is a versatile artist, capable of developing classical themes such as
landscapes and then moving on to more POP suggestions like superheroes, not remaining indifferent to the latest
trends in the contemporary art scene. The characteristic that connects the different subjects of his extensive
production is the ability of each work to attract the viewer, almost wanting to reassure and fascinate them with its
execution and representation. He lives and works in Brescia.

Source Credit:  Content and images from Wall Street International Magazine by .  Read the original article - https://www.meer.com/en/82663-sweet-icons