02 Nov Some lands are made of light
Source Credit: Content and images from Wall Street International Magazine by . Read the original article - https://www.meer.com/en/84667-some-lands-are-made-of-light
Claire Oliver Gallery is proud to announce Some lands
are made of light, a solo exhibition of new intimately-scaled sculptures and jewel encrusted
drawings by Lauren Fensterstock. In response to our current climate of political polarization and
social upheaval, Fensterstock seeks to create works that offer moments of reflection and inner
peace. Believing that each person can be an agent for positive change—within themselves, their
community, and the greater universe—she uses her devout meditation practice as an entry point
for these new works. Some Lands Are Made of Light offers viewers a space to contemplate and
reflect within the organic and spectral frameworks embodied by her sculptures and small-scale
charcoal and embedded Swarovski crystal works on paper. A year in the making, this new
exhibition features 30 new artworks on view in New York City, November 14, 2024 – January 18,
2025.
Fensterstock’s latest works are inspired by the South Asian religious and artistic practice of
creating mandalas, sacred symbols of the universe, and transforming these emblems into
elaborate, jewel-like creations.
“I see my work as jewelry but not to adorn the body, but rather augment the soul,” states
Fensterstock. “I invite viewers to pause and reflect on their place within a collective experience,
and embrace their perceived imperfections—acknowledging that our differences, flaws, and
struggles are what make us uniquely human”.
Each sculpture is a harmonious assemblage of repurposed treasures: natural crystals, quartz,
chandelier parts, glass, Swarovski crystals, and antique beads, coming together to form wild
lotus flowers, exploding planets, stars, and suns. Fensterstock transforms these disparate
elements into iconic yet malleable emblems of transformation, scaled into intimate offerings. Her
lotuses burst, curl, crackle, and shatter; in one piece, her natal constellations are mapped in
glistening, starlike gems, while in another, the flower’s bulb takes the shape of a swirling,
cavernous black hole.
The balanced contrast of light and darkness in Fensterstock’s work oscillates between
sensations of clarity and mystery, miniature and monumental, embodiment and expansion. Each
work begins with an ink drawing. From there, she constructs wood and steel frameworks, coats
them in cement, adorns them with intricate mosaics, and finishes them with mortar and grout.
Like assembling a puzzle infused with spiritual wonder, Fensterstock designs her mosaics piece
by piece, each detail imbued with intuition, contemplation, and care.
The exhibition’s title is inspired by The flower ornament scripture, also known as the
Avatamsaka sutra, a foundational Buddhist text that explores universal liberation through
symbols, structures, and sacraments. Mirroring her daily meditation practice—where she
carefully places gem-like offerings onto a convex metal tray, letting each stone fall into her lap to
form a singular mandala—every shard in her sculptures represents a moment of presence, a
convergence of people, places, histories, and materials.
In a culture that often emphasizes isolation and individualism, Fensterstock hopes her work will
remind viewers of the intimate flickers of connection that, together, form brilliant beams of light.
Lauren Fensterstock is an artist living and working in Portland, Maine. Fensterstock received her
BFA from Parsons School of Design in 1997 and her MFA from SUNY New Paltz in 2000. She
has had recent solo exhibitions at the Chrysler Museum of Art, Norfolk, VA; Claire Oliver Gallery,
New York, NY; John Michael Kohler Art Center, Sheboygan, WI; The Museum of Contemporary
Art Jacksonville, Jacksonville, FL; and the Lupin Foundation Gallery at the University of Georgia,
Athens, GA; among others. Her work is included in the public collections of the Museum of
Contemporary Art, Jacksonville, FL; Portland Museum of Art, Portland, ME; Wichita Art Museum,
Wichita, KS; Chrysler Museum of Art, Norfolk, VA; Weisman Art Museum, Minneapolis, MN;
Farnsworth Art Museum, Rockland, ME; Des Moines Art Center, Des Moines, IA; Museum of
Glass, Tacoma, WA; Bowdoin College Museum of Art, Bushwick, ME; Wheaton College, Norton,
MA; Tiffany and Co, New York, NY; University of Maine Museum of Art, Orono, ME; among others.
Fensterstock is also a 2016 United States Artist Fellow.
Source Credit: Content and images from Wall Street International Magazine by . Read the original article - https://www.meer.com/en/84667-some-lands-are-made-of-light