Pedro Friedeberg. Something Like That!

Source Credit:  Content and images from Wall Street International Magazine by Wall Street International.  Read the original article - https://wsimag.com/art/66900-pedro-friedeberg-something-like-that

Ruiz-Healy Art is pleased to present Pedro Friedeberg: Something like that! The exhibition opens on September
10th with an opening reception on Friday, September 10th from 6 to 8 pm. The exhibition marks the artist’s third
solo gallery exhibition but the first at our New York City location. It is also his first New York City solo exhibit
in over two decades and includes paintings, sculptures, and objects that provide insight into the artist’s singular
vision.

Pedro Friedeberg is one of the most widely celebrated living artists in Mexico. Born in 1936, he has maintained a
prolific and remarkable artistic practice for the last sixty years, and his influence can be felt across generations of
artists. While he is best known for his iconic Hand Chair (first designed in 1962), Friedeberg’s work extends
beyond furniture and design to visually intricate paintings, drawings, and sculptures. These works point to the
elegant precision, irreverence, and iconoclasm that have garnered him cult-like status outside of Mexico; and in
recent years, the long overdue critical recognition as one of the most significant artists in Latin America. Over the
course of his six-decade career, Friedeberg has developed a formal universe that brings together various
iconographies and influences from Op Art, Surrealism, Pop Art, and architectural design to religious symbology
evoking Catholicism, Hinduism, Aztec codices, and signs of the occult.

First studying architecture, Friedeberg shifted to art with the encouragement of his mentor Mathias Goeritz, a
post-war artist and art professor who was critical in bringing Mexico to the larger international art world.
Friedeberg soon became part of a legendary group of Surrealist artists including Leonora Carrington and
Remedios Varo, known for rejecting the social and political art dominant at the time. With their influence and the
influx of Pop Art in the 1960s, Friedeberg’s work is often absurdist in tone, critiquing high/low cultural
hierarchies. In this way, Friedeberg’s objects such as his signature Hand Chair and Butterfly Chair are perfect
amalgams of the fantastical with the everyday. On view alongside his sculpture and design objects are the artist’s
rarely exhibited paintings, which to some extent, have been overshadowed by the success of his furniture
designs. These works play a key role in Friedeberg’s multidisciplinary practice: the densely patterned
compositions—with their intricate architectural spaces, ideograms, and repeating visual systems—create layers
of meaning within each image.

The new paintings in Pedro Friedeberg: Something like that! were conceptualized in 2020, during a time of
global uncertainty and upheaval as the Coronavirus pandemic spread. The paintings partly reflect this altered
reality and reveal a new energy visible in works like Crítica de la banalidad circunstancial teórica de la infraestructura a corto y mediano plazo de las odas y homenajes a las libertades geométricas, and the titular
painting, Algo así (Something like That). These compositions embody Friedeberg’s renewed attention towards
fine detail and color, while referencing pop culture, history, architecture, and text, creating complex topographies
that speak to Friedeberg’s pastiche approach of marrying wide-ranging cultures and interests into his work.

In the words of curator Dan Cameron, “To a significant degree, the question of meaning in Friedeberg’s work
seems to hinge directly on the accumulation of separate details that each seem anchored to different orders of
signification. A dream-logic holds the different elements together, by hinting at an oblique order that remains
elusive to the conscious mind. The visual experience is somewhat akin to deciphering a rebus or set of
hieroglyphics: one’s own subjective sense of visual form and narrative determines the sequencing without any
overt interference from the conscious mind.”

Pedro Friedeberg has held individual exhibitions in Mexico, the United States, and Europe. He has exhibited
extensively in museums, among others, Hamburger Bahnhof Museum, Berlin, Germany; Museum of
Contemporary Art, Phoenix, AZ; Los Angeles County Museum of Art, Los Angeles, CA; Museo de Arte
Moderno, Tel Aviv, Israel; the Casa de las Americas, Habana, Cuba, and many more.

Friedberg’s artworks can be found in more than 50 international museum collections, including the Museum of
Modern Art (MoMA), New York, NY; the Musée d’Art Moderne de la Ville de Paris, Paris France; Musée du
Louvre, Pavillon Art Décoratifs, Paris, France; Smithsonian American Art Museum, Washington, D.C.;
Cafesjian Center for the Arts, Yerevan, Armenia; Los Angeles Contemporary Museum of Art, CA.; Museum of
Contemporary Art, Chicago; Museum of Fine Arts, Houston; Museo Jumex, Mexico City; San Antonio Museum
of Art, San Antonio, TX; Museo de Arte Moderno, Mexico City; Philadelphia Museum of Art, among many
others. Friedeberg lives and works in México City.

Source Credit:  Content and images from Wall Street International Magazine by Wall Street International.  Read the original article - https://wsimag.com/art/66900-pedro-friedeberg-something-like-that