20 Sep Forest figures
Source Credit: Content and images from Wall Street International Magazine by . Read the original article - https://www.meer.com/en/83076-forest-figures
October Gallery presents Forest figures, a much-anticipated solo exhibition of new works by
Alexis Peskine. This, the artist’s third show at October Gallery, will intersect with the 1-54
Contemporary African Art Fair, taking place at Somerset House, in London, from 10th – 13th
October.
Forest Figures delves into the rich, healing powers inherent in ancestral African spirituality;
exploring deeper aspects of interiorised abundance and wellbeing found amongst the
individual figures he portrays to represent the diversity of the African diaspora. Peskine’s
large-scale mixed media ‘portraits’ are rendered by hammering nails of different gauge, with
pin-point accuracy, into wooden ‘canvases’. He links these extraordinary portraits to the
spiritually charged Minkisi ‘power figures’ of the Congo Basin. The application of Japanese
oxidised gold, silver and palladium leaf to the heads of the nails lends a luminous quality to
each work.
Inspired by Afro-Brazilian spirituality, Peskine draws upon attributes and aspects of the Orishas
– or spirits – which act as a conceptual framework underpinning these recent works. Deriving
from one of Africa’s oldest spiritual traditions, the polytheistic Yoruba belief system, the divine
Orisha spirits were carried to the Americas and Caribbean islands as part of the Black cultural
diaspora and are still widely honoured within the syncretic belief systems of Santeria,
Candomblé and Vodou, today.
Peskine’s new works show an expansion of his creative process, employing the natural forms
of tree trunks, leaf patterns and shells. Some of these works adopt the form and white colour
of the cowrie shell – an integral part of the iFá divination ritual – symbolising the prophetic
‘mouth of the Orisha’. Although considered a spiritual object, the cowrie has many historical
links to trade and currency. White is also a colour traditionally linked to peace, spiritual
cleansing and renewal. Many aspects of Peskine’s sustained investigation of the Black.
Experience can be seen in his selection of materials and colours: for instance, his use of
Indigo pigment is a direct reference to its production by enslaved Caribbean labourers.
Traces of the natural world can be sensed in the leafy shapes stained with spiritually
significant herbs including rosemary, basil, mint and macassar. The rich profusion of overlain
colours and materials builds to create a complex visual narrative charged with the echoes of
centuries of exploitation.
In one work, Peskine deploys Botticelli’s scallop shell from The Birth of Venus as a way of
subverting how western aesthetic norms continue to define global standards of beauty.
Similarly, he reclaims the oval form of 18th century upper class portraits, transforming them
into celebrations of the beauty and striking individuality of those of the African diaspora. The
exhibition will also include new photographic works and a segment from Reverse, an
emotive apocalyptic film. Through beautiful, yet painful imagery Peskine presents a radical
retelling of colonial histories from a new and alternative perspective.
Based in Paris, Peskine continues to pursue various artist residencies around the world, most
recently in Brazil and Cameroon. His sensitive portraits of the people he meets inform the rich
diversity of subjects adorning his sculptural pieces. The sheer self-possession of these vital
Black figures’ gaze rivets our attention by suggesting a transcendent, interior power of
resilience. Peskine’s acute observations of people from many places and all walks of life
have led him to the conclusion that today, more than ever, we live in a time that requires us
to come together in ‘oneness’.
Alexis Peskine (Born 1979, France of Afro-Brazilian/Russian descent) has been the recipient of many prestigious prizes including a Fulbright scholarship
and Hennessy Black Masters Art Competition award. In the past decade, Peskine has worked
with inner-city youth in France, Senegal and Brazil to create a number of monumental
pieces. His works were featured in the exhibition In their own form at the Museum of
Contemporary Photography, Chicago and Africa House’s Second Generation exhibition in
New York in 2018. The artist presented his work in Tiny Traces at the Foundling Museum,
London, UK in 2022 – 2023. Peskine’s film, The Raft of Medusa, was exhibited in A Gateway To
Possible Worlds, which brought together over 200 works at Centre Pompidou-Metz, France in
2022 – 2023. His work was included in the landmark exhibition Black Atlantic: Power, People,
Resistance at the Fitzwilliam Museum, Cambridge, UK in 2023 – 2024.
Major museums and collectors including Peggy Cooper Cafritz; Laurence Graff OBE; the New
Britain Museum of American Art, New Britain, USA; The Harvard Art Fogg Museum,
Cambridge, USA; Pizzuti Collection of the Columbus Museum of Art, Columbus, USA; and
Museum of Contemporary Photography (MoCP), Chicago, USA, have collected works by
Alexis Peskine.
Source Credit: Content and images from Wall Street International Magazine by . Read the original article - https://www.meer.com/en/83076-forest-figures