Alice Cattaneo. Unbroken landscape

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MLF Marie-Laure Fleisch is pleased to present Unbroken Landscape, Alice Cattaneo’s new solo exhibition in the gallery. A
dominant presence of glass might have characterized her earlier work, but the new landscape we get to see gives pride of
place to stone. The Venetian glass so dear to Cattaneo does not disappear for all that. On the contrary, this exhibition proves
to be fertile ground for a new hybridization between materials, with a fascinating contrast between mineral opacity and
transparency. As always, the choice of material implies the prior exploration of a specific field. Apart from the artist’s long-time
collaborations with master glassmakers, she now has new relationships with stonecutters. The fundamental principle of
Cattaneo’s practice remains unchanged: the apparent simplicity of her work partly resides in her consummate mastery of
ancestral knowledge.

Following an invitation last year to create an in situ work in the Italian region of Liguria, Alice Cattaneo took a keen interest in
the minerals in the area. She was fascinated by the landscape of this valley, an ancient place of pilgrimage impregnated with
the heritage of the different adjacent regions, and discovered a cave that for several generations had been exploited by the
same family. This new body of sculptures is therefore above all the result of the meeting between an artist wishing to celebrate
the know-how of Italian craftsmen and a family carrying on the tradition of manual stonemasonry from father to son. During her
research, she also was influenced by the typical stela statues (a type of prehistoric monument) in the region.

Cattaneo could
follow the entire extraction process of the stones, which are probably similar to the rock used for such anthropomorphic
sculptures 3000 years ago. In addition to this “geological memory,” which she condenses in her work, the artist was invited to
the workshop to witness the shaping of this material that is particularly sensitive to its environment, making the color of each
stone unique.

Rather than as a structured staging, Cattaneo wants her unique works to function as a scenography. Continually striving for
harmony in her creations, the artist deftly confronts balance, tension, and gravity. The forms she uses are not figurative but
suggest the hand that produced them. The exhibition, conceived as a landscape, consists of atypical elements extracted from
the earth that unite in a new choreography designed by the artist. In this process, she could rely on information from a 16thcentury herbarium found in the region of Liguria, an allegorical synthesis of the mountain landscape she explored. Wishing to
infuse the region’s soul into her creations–which become the fragments of a matrix shaped by nature–the artist has
reconstituted the colors from the book with natural pigments. These pigments, which she slowly spread on selected fractions
of the stones, are therefore sculptural elements in their own right, additional indications as to the origin of these landscape
totems.

Cattaneo achieves her artistic translation of the gaze mainly through the fragmentation of materials which, like the natural
environment from which they stem, are bodies capable of expressing themselves independently of any concrete meaning. The
sculptures being shown here–on pedestals, on the ground, or fixed to the walls–bear witness to the artist’s desire to simplify
forms to the limit in the hope of externalizing the soul of the panorama which she wishes to reconstruct, an approach which is
akin to animism. Just as the territories that have fed her imagination keep changing, the artist has never stopped acquiring
more skills. In this exhibition, Alice Cattaneo shows us a poetic summary of the Italian mountain landscape in the heart of
Brussels.

Alice Cattaneo (1976, Milan, Italy) lives and works in Milan.
Her solo exhibitions include: Affioramenti, on the occasion of Una Boccata d’Arte, in collaboration with Fondazione Elpis and
Galleria Continua, Spinola Castle, Campo Ligure, Italy (2021); Alice Cattaneo, Museo Archeologico, Acqui Terme, Italy (2019);
Mettere un mare nella nebbia, Museo del Novecento, Milan, Italy (2018); Alice Cattaneo Michael Höpfner, Galerie Hubert Winter,
Vienna, Austria (2016); Col fiato sospeso per circa due ore, curated by F. Pasini, La Quarta Vetrina, Libreria delle Donne, Milan, Italy
(2015); Contrapositive (avec Fred Sandback), curated by D.Komary, Galerie Stadtpark, Krems, Austria (2012); Alice Cattaneo,
MADRE – Museo d’ Arte Contemporanea Donna Regina, Naples, Italy (2008) and Alice Cattaneo, curated by J.Watkins, Ikon Gallery,
Birmingham, United-Kingdom (2007).

Her group exhibitions include: La Vie Matérielle, Centrale for Contemporary Art, in collaboration with Palazzo Magnani
Foundation, curated by Marina Dacci and Carine Fol, Brussels, Belgium (2021); Negative Space. Trajectories of Sculpture, curated
by Peter Weibel, Daria Mille and Anett Holzheid, ZKM | Center for Art and Media, Karlsruhe, Germany (2019); La Vita Materiale. Otto
stanze, otto storie, curated by Marina Dacci, Palazzo da Mosto, Reggio Emilia, Italy (2018); Tempo e Dettagli / Times and Details,
Artisti/Artigiani/Carlo Scarpa, curated by C. Bertola and G. Blais, Officina Zanon, Falegnameria Capovilla, Universita’ Ca’ Foscari,
Venice, Italy (2016); Chaotic Passion, Museo d’Arte Contemporanea di Villa Croce, Genoa, Italy (2015); Ritratto dell’Artista da
Giovane, curated by M. Beccaria, Castello di Rivoli, Turin, Italy (2014); Autoritratti. Iscrizioni del Femminile nell’Arte Italiana
Contemporanea, MAMBO, Museo d’Arte Moderna, Bologna, Italy (2013); The Unseen, The Fourth Guangzhou Triennial, curated by
J. Watkins, Guangdong Museum of Art, China (2012); Arte essenziale, a project of F. Ferrari, Collezione Maramotti, Reggio Emilia,
Italy / Frankfurt Kunstverein, Frankfurt, Germany (2011); Terre Vulnerabilli, curated by C.Bertola with A.Lissoni, Hangar Bicocca,
Milan, Italy (2010); Italics, Italian Art between Tradition and Revolution, 1968-2008, curated by F. Bonami, Palazzo Grassi,
Venice, Italy (2008) and Apocalittici e integrati. Utopia nell’arte italiana di oggi, MAXXI, Roma, Italy.

Source Credit:  Content and images from Wall Street International Magazine by .  Read the original article - https://www.meer.com/en/69559-alice-cattaneo-unbroken-landscape