06 Dec Five paintings at dusk

Source Credit:  Content and images from Wall Street International Magazine by .  Read the original article - https://www.meer.com/en/85873-five-paintings-at-dusk

François Ghebaly New York is proud to present Five paintings at dusk, an exhibition of work by the late Cuban
Surrealist painter Jorge Camacho.

Bewitching us, [Camacho] imparts in his work this unlimited range of muted tones displaying the
splendor of what may be at dusk that which the aurora is to our morning.

(André Breton, Brousse au-devant de Camacho, 1964)

An artist is always, despite himself, the voice of a transcendent and exclusive fear; the voice of his
landscape and his people…Here is Jorge Camacho’s insular challenge.

(Reinaldo Arenas, El reto insular de Jorge Camacho, 1984)

Hailed by writer and critic Zoé Valdés as the “last of the great Latin American Surrealists”, Cuban painter
Jorge Camacho (1934 – 2011) crafts hazy, vespertine scenes that bridge mythology and occultism, Symbolist
literature, Afro-Cuban traditions, and incisive reflections on the nation’s political and spiritual lot in the second
half of the 20th century. Born in Havana in 1934, Camacho relocated to Paris in 1957 on scholarship from the
Cuban government. There, he met André Breton in 1961 and was welcomed into the fold of the Surrealists,
becoming one of Breton’s final protégés and honing over subsequent years a visual and symbolic sensibility all
his own.

Produced between 1969 and 1974, the works in Five Paintings at Dusk reflect a period just after Camacho’s
final exhibitions with the Surrealists. These works come on the heels of his inclusion in the 1967 Salón de
Mayo, organized by Carlos Franqui alongside Wifredo Lam, Alexander Calder, Joan Miró, Pablo Picasso, and
others. Envisioned as a utopian display of art and Communism hand-in-hand, the exhibition would for many
come to represent exactly the opposite as tides under Castro turned increasingly toward the authoritarian.
For Camacho, rapidly changing conditions for Cubans in and outside of the country would help foster a lifelong
friendship and shared political consciousness between himself and exiled gay Cuban author and activist
Reinaldo Arenas. Their anti-authoritarian ideals and stark reflections on exile would inevitably find home in
Camacho’s work in the years to come.

“Camacho’s paintings are landscapes”, writes historian Christine Frérot. “But they are landscapes set as a
theater stage on which, through metaphors, magic or cabalistic acts unfold”. His images—dusken arenas where
ossuaries, organic machines, extractive forces, and totemic figures intertwine—offer arcane, often harrowing
portrayals of violence and punishment that merge the realm of dreams with the grave realities faced by his
generation of Cubans in exile.

Written just two years before Camacho’s inclusion in the seminal 1986 Venice Biennale, Arenas declares
“Camacho is to our abrupt (and perennial) circumstance—aggressive and ragged terror, a deadliness
somewhere between dance and disaffectation, counterpoint to the barbaric and the sublime—what Goya was
to the stupor of his times”.

A writer, collector, translator of Rimbaud and Mallarmé, and self-taught artist influenced greatly by the works
of Tamayo, Tanguy, di Chirico, Bacon, and many others, Jorge Camacho was born in 1934 in Havana, Cuba.
He would move to Paris in 1957, living and working there through the rest of his life until 2011. Selected solo
exhibitions include La Maison de l’Amerique Latine, Paris; Galerie Thessa Hérold, Paris; Galerie Raymond
Cordier, Paris; Galerie Maya, Brussels; Galerie Joan Prats, Barcelona; Galerie Mathias Fels, Paris; and Galería
Cubana, Havana. Selected group exhibitions include Centre Pompidou, Paris; Solomon R. Guggenheim
Museum, New York; the 42nd Venice Biennale, Venice; Musée de l’Art Moderne de la Ville de Paris, Paris;
Musée Ingres, Montauban; Galerie Maeght, Paris; Galerie de Seine, Paris; and Galerie de l’Œil, Paris. His
work is held in the collections of the Centre Pompidou, Musée de l’Art Moderne de la Ville de Paris, Centre
National des Arts Plastiques, and Musée d’Arts de Nantes, among others. In 2022, collaborative works between
Camacho, Wifredo Lam, Ted Joans, Joyce Mansour and others were on view at the Tate Modern in London and
the Metropolitan Museum of Modern Art in New York as part of the traveling exhibition Surrealism Beyond
Borders.

Source Credit:  Content and images from Wall Street International Magazine by .  Read the original article - https://www.meer.com/en/85873-five-paintings-at-dusk